Terra-Cotta Girl :: essays research papers

Terra Cotta GirlThe poetry has clear, wide-open drama while managing ambiguity and open-endedness. A sort of modern local color piece tinted with Southern elements, it stock-still makes its characters real and sympathetic, treats important themes that ar both topical and general, and offers an apt accusatory relationship with universal implications.Technically a lyric, the poem filled with chronicle and drama an off-the-farm college daughter, a Southerner, and perhaps a Georgian like Sellers herself, has locomote in love with a appease fille tear down the dormitory (9). The girls conservative mother has contriven to (10) having her daughter seek for an in effect(p) help. Ungraceful, conflicted inwardly, and beset outwardly by parental pressure, the girl now waits to see a counselor. No character speaks, but the role of distributively is hale defined. At least five characters, perhaps six, come into play devil girls, their two mothers, and one or maybe two counselors. Onstage is the terra cotta girl (1)--and maybe her mother as well. The other, quiet (9) daughter and her mother, along with a counselor (perhaps the same one), running a parallel to the scene we are witnessing.Although the poem shows us the girls as living down the hall (9) from each other in their college dormitory, it also suggests another indirect possibility that, at the very moment of the present action, this other girl, the quiet one, is just down the hall waiting to see another counselor during two parallel sessions that the mothers have seen to (10). Perhaps, the other girls mother is with her, too. The other girl may be quiet precisely because the narrator chooses not to choke her a separate story. If this is the case, her terra cotta lover stands in as her delegate. The phrase quiet girl draws the image of a shy character, who may be little able to handle her current torture, and not as strong as terra cotta girl.Formally, the poem has xiii short lines with different numbers of syllables and accents. The poem is unrhymed but engages such alliterations as flat farm feet (2) / furrows (3), vulgarism has seen (10), and weep for the waste (12). All of the alliterated sounds are voiceless, which projects the current situation of the girls. The thirteen breath units of the poem divide into two clear sentences. With no stanza erupt in the poem, these sentences establish the language of the drama.

Admissions Essay: Why Ob/Gyn? -- Medicine College Admissions Essays

Admissions Essay Why Ob/Gyn? Im having trouble coming up with that concise, cause anecdote about the enduring who inspired me to go into Obstetrics and Gynecology, because so many people have helped me realize that this is where I belong. There are the women whose babies Ive delivered, whom Ive gotten to know at a clinic visit or during the early contractions of participating labor, and then coached through the calm between pushes in the last a few(prenominal) minutes before deli truly. There are the teenagers at their first Gyn exam, nervously kicking the end of the table as we talk about safer sex, the benefits of the yellow journalism and just what a speculum actually is. And there are the patients who are very, very sick - the 44-year-old with metastatic ovarian cancer, whose family was ... ...ood prenatal care. Ultimately, I hope to colligate the faculty of an academic medical center, where I can combine patient care with my love of teaching, and where I can contin ue to explore how synergistic technologies can inform and empower patients. Most of all, however, I look send to taking care of my patients, drawing on the remarkable depth and bigness of Obstetrics and Gynecology.

George Eliots Silas Marner Essay -- George Eliot Silas Marner essays

George Eliots Silas MarnerThe novel, Silas Marner, is considered to be a moral fable. Theauthor, George Eliot placed parental business as one of thebooks main themes. She writes of two opposite parenting styles,along with the happiness and responsibilities that go far with thisthrough two characters, Silas Marner and Godfrey Cass.At the germ of the narrative the character, Silas Marner, is a altogether different person from the one he was later to become. Thebook starts by explaining how Silas Marner left his original home-Marner had departed from the town, because of a false accusationthat his best friend had made about him. The church building deacon wasextremely ill, and whilst looking after him Silas was accused ofstealing the churchs money. The religious sect that he belonged to,a strict Calvinist sect, drew lots to decide whether Silas wasinnocent or guilty. The lots say that Silas Marner was guilty.The lots where superstitious and one of the supertitions was that theybel ieved that their results where Gods will.Marner is over come by a sense of betrayal, as it was his best friendwho has pull such a cruel, untrust expensey deed, Marner looses completelyhis faith in God. Marner leaves Lantern universal gravitational constant and moves to a smallplace named, Raveloe. This new place is a completely new environmentfor Marner it was as if he had travelled abroad in comparison to ourday and age, we can tell this because in the text it states, he lefthis own country and the great unwashed and came to settle in Ravaloe. unhappilyMarner looses all his trust in people, he moves into a cottage in theforest, isolating him self from human contact. He works his loomproducing linen, when he sells this li... ...that where to special(prenominal) tobe destroyed by finance and inanamte objects.This shows that Godfrey was too selfish and self centered to realizewhat a strong relationship Silas and Eppie had. it had neveroccurred to him that Silas would rather p art his with life then withEppie.Godfrey finally suffers for all his years worth of mistakes, realizingthat he cannot separate them, they have the same bond as all GOODfathers have with their children, with deep compassion.The novel shows the need to love and nip compassion, with out it lifeappears to have no meaning.What we understand by the condition Parental Duty, is to support a child,not just financially exclusively emotionally and to bring up the child in a soft and understanding manner, making sure that the child has respectfor other people also, growing up to be a considerate and graciousperson.

The Iron Hand of Dramatic Irony Essay example -- Sophocles Oedipus tyr

The Iron Hand of striking Irony Sophocles Oedipus Tyrannus is considered by many scholars to be the most significant masterpiece of Greek drama. done Oedipus Tyrannus, Sophocles is able to develop and establish salient irony, a theatrical turn of events that allows the auditory modality to understand the hidden meanings of the words and actions of the characters, though the characters themselves remain oblivious. Therefore, the doings of the characters become ironic because they are unable to grasp the reality of the rectitude that is being unraveled before their eyes. Dramatic irony may be describe as putting into a speakers (characters) mouth words that have for the audience a meaning not intended by the speaker (Dramatic). Sophocles weaves this device into Oedipus Tyrannus, giving the diarrhoea a distinct characteristic. He devises a step-by-step discovery of the fairness (Gould), yielding value for the profound delegacy it is constructed. With the use of dramati c irony, Sophocles incorporates the audience into the play by endowing them with the divine linear perspective of knowing the truth (Clay 13). A highly established illustration of dramatic irony may be found in Sophocles Oedipus Tyrannus, where the character of Oedipus investigates the mop up of the previous king of Thebes, only to learn that it is himself who is guilty of committing the crime, a truth known to the audience all along. Thus, Sophocles Oedipus Tyrannus has dramatic irony twine into the play from the beginning to the end. The principal aspect of Sophoclean catastrophe that is delicately worked into the play is dramatic irony itself. Sophocles masters the technique of dramatic irony in Oedipus Tyrannus as he entails a second, ominous meaning for approximately every... ...ut his tragic downfall. The significant use of dramatic irony in the disaster of Oedipus compels the spectator to be involved emotionally in Oedipus blind chivalrous struggles to find th e truth. Thus, Sophocles effectively implements the art of dramatic irony through the tragedy of Oedipus Tyrannus. Works CitedBates, William N. Sophocles Poet and Dramatist. naked as a jaybird York A.S. Barnes, 1940. 19-20.Writers Market. 22 February 2001 <http//www.writersmarket.com/encyc/d.asp.Knox, Bernard, trans. Oedipus the King by Sophocles. Enriched Classic ed. New York Washington Square P, 1987.Sophocles. Oedipus the King. Trans. Diskin Clay. Ed. William Arrowsmith. New York Oxford UP, 1978. 13.Sophocles. Oedipus the King. Trans. Thomas Gould. New Jersey Prentice, 1970. 2.Sophocles. Oedipus Tyrannus. Norton comminuted Ed. New York Norton, 1970.

Interview Report: Leadership in the Healthcare System Essay -- Intervi

IntroductionLeadership is increasingly important in todays society. Many experts and scholars charge out that the current leadership crisis concerns moral and character problems in many an(prenominal) leaders (Ahn, Ettner, & Loupin, 2012 Callahan, 2004 Wright & Quick, 2011). The following interview report is intended primarily for geographic expedition and comparison of the traits and characteristics of leadership. A leader of a clinical medicine focalize was interviewed for this report. The purpose of this report is to explore the leadership characters and traits, and how they can be highly-developed in this turbulent environment. First, I make a brief unveiling regarding the background of the respondent and her working environment. The report also describes this leaders personal and inherent perceptions in relation to a literature review which investigates the traits and characteristics of leadership. The report concludes with a comparison and discussion of the results of t he clinical condition on the basis of the interview and literature review. At the same time, the report aims to put forward executable and effective advice and specific programs for present and future leaders and managers in the wellness care system. Methodology1. The respondents traits and characteristics This is a nearly 40-minute interview. The end of this interview is the leader of a community medical centre of attention. This medical centre has five physicians, two nutritionists, one occupational therapist, a nurse and trio service desk receptionists. This medical centre serves the community of more than five universal gravitational constant patients now. After the interview, integration of the following eight items in this leaders characteristics and traits.1) Vision OrientationShe is vision orien... ...uarterly, 22, 975-978. Retrieved from http//www.sciencedirect.com.libraryproxy.griffith.edu.au/science/article/pii/S1048984311001172. Wright, T. A., & Goodstein, J. (200 7). Character is non dead in management research A review of individual character and organizational-level virtue. Journal of Management, 33, 928958.Winning leadership traits. (2008). Partners Report, 08(2), 10-11. Retrieved from http//search.proquest.com.libraryproxy.griffith.edu.au/docview/200656366?accountid=14543Yeh, Q. (1995). Leadership, personal traits and job characteristics in R&D organizations a Taiwanese case. Leadership & Organization learning Journal, 16(6), 16-26. Retrieved from http//www.emeraldinsight.com.libraryproxy.griffith.edu.au/journals.htm?articleid=1410392. Zaccaro, S. J. (2007). Trait-Based Perspectives of Leadership. American Psychologist, 62(1), 6-16.

The Comic Hero in Aristophanes and Charlie Chaplin :: Cominc Hero Aristophanes Chaplin Essays

The Comic Hero in Aristophanes and Charlie ChaplinThe comedic works of both Aristophanes, a fifth-century ancient Greek playwright, and Charlie Chaplin, an actor of the early twentieth century, center around peerless character. Aristophanes play Clouds, first produced in 423 B.C.E., concerns Strepsiades and his bity debts he plans to correspond from Socrates the art of the Inferior Argument so that he may coax his creditors that he does not have to pay them anything after solely. In his later play Birds, first produced in 414 B.C.E., the main character is Makemedo, a man so determined to get out of Athens that he convinces a collection of birds to defy the gods, establish themselves as the rulers over the earth, and build a brick city in the sky from which they faeces reign and where he can also live. In each of Chaplins films The Immigrant (1917), The Count (1916), and Easy Street (1917), he acts as a kind of tramp who overcomes his low status in society and achieves what he wants, even if only for a short time. Strepsiades, Makemedo, and Chaplin totally shamelessly pursue their desires with little regard for the rules and standards of society around them. In his published lecture concerning Aristophanes plays, Cedric H. Whitman discusses what he considers as the general template of all of Aristophanes main characters the idiotic hero. Whitman defines a comedian hero as possessing great(p) individualism, a good deal of poneros, meaning wickedness, and striking a remnant of eiron and alazon, which translates into being a mixture of an ironical buffoon, who makes fun of himself for his own amusement, and an imposter, who disguises his received identity or feelings. He sees the comic hero as one who is extremely self-motivated and self-centered whatever is heroic is individualistic, and tends toward excess, or at least extremes. It asserts its self primarily . . . Whitman also declares that poneros is necessary in the character of the comic hero, tha t this person is villainous, manipulative, and very convincing. The comic hero is shameless in expressing his desires, and he has no shame in pursuing them by any delegacy necessary, whether such acts would be considered right or wrong. Whitman also recognizes the mixture of eiron--ironical buffoonery--and alazon--being an imposter--in the comic hero of Aristophanes plays. The mere buffoon, says Aristotle, makes fun for the sake of getting a muzzle for others the ironical man makes fun for his own amusement, which is more worthy of a free man.

The Theme of Freedom in Kafkas Metamorphosis Essay -- Kafka Metamorph

The Theme of Freedom in Kafkas metamorphosisOne of Franz Kafkas most long-familiar and most often criticized works is the short story, Die Verwandlung, or The Metamorphosis. The Metamorphosis is most unusual in that the first sentence is the climax the suspension of the story is mainly falling action (Greenburg 273). The reader learns that Gregor Samsa, the storys main character, has been moody into an enormous insect. Despite this fact, Gregor continues to act and think like any radiation diagram human would, which makes the beginning of the story both tragic and comical at the same time. However, one can non help but wonder why Gregor has undergone this direful transformation, and what purpose it could possibly serve in the story. Upon examination, it seems that Gregors metamorphosis represents both his granting immunity from maintaining his entire financial stability and his familys freedom from their dependence upon Gregor.Long in the lead the story takes place, Gregor Sam sas father had a business failure that left him heavyset in debt. His son, Gregor, works as a commercial traveler for the play along to whom he owes money in effect, Gregor is slowly working off his fathers debt. Gregor is not happy with his job, which Greenburg calls degrading and soul-destroying, but believes that his familys existence depends upon him sacrificing himself by working at this meaningless... job, and so he continues (274). Heinz Politzer goes far enough to say that Gregor is a striver to his boss (276), which would imply that there is no escape for Gregor- at least, no conventional escape.However, Gregor does escape from his life of indentured servancy- by becoming a giant insect. Walter H. Sokel explains the effect of the metamorphosis on his occupat... ...om House, 1963Greenberg, Martin . The Terror of Art Kafka and neo Literature. bracing York Basic Books, 1968.Kafka, Franz. The Metamorphosis and Other Stories. 1st ed. Translated by Stanley Appelbaum. New Yor k Dover Publications, 1996.Parry, Idris, The Talk of Guilty Men (1981), in Parry, Speak Silence. Essays, Manchester 1988.Politzer, Heinz, Franz Kafka Parable and Paradox, Ithaca N.Y. 1962 Sokel, Walter H. The author in Extremis, Expressionism in Twentieth-Century German Literature. 1st ed. California Stanford University Press, 1969. Works ConsultedPawel, Ernst. A Nightmare of Reason A Life of Franz Kafka. 2nd ed. New York Farrar, Straus, & Giroux, 1984. Suchoff, David. decisive Theory and the Novel Mass Society and Cultural Criticism in Dickens, Melville and Kafka. 5th ed. Wisconsin University of Wisconsin Press, 1994.